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焦點影人I:菲利浦・勒薩吉

哥本哈根愛情故事

Copenhague - A Love Story
導演

菲利浦・勒薩吉 Philippe LESAGE

資訊
限18
台灣首映

加拿大 Canada | 2016 | DCP | Colour | 102min

放映場次

2019-08-28 (三) 19:00 Ambassador國賓影城 1廳

2019-08-26 (一) 16:10 in89統領影城 2廳

影片介紹

導演菲利浦・勒薩吉在片中飾演他自己,造訪哥本哈根籌備新片,重逢舊愛又莫名介入學生艾蜜莉和維多莉雅之間友達以上,戀人未滿的關係。三角戀未成行,有人回頭找前任,有人覓得新歡,伴隨著後悔困惑,早已弄不清舊人哭或是新人笑。他們回頭在酒吧裡點上啤酒與菸,浸身吞雲吐霧間,呢喃絮叨著這座城市裡的愛情故事。

抽菸和飲酒架構出的談話,以大量聊天內容推進劇情發展,猶如韓國導演洪常秀的愛情對話體。菲利浦・勒薩吉以自傳色彩的劇本,讓演員扮演真實生活中的自己,以及紀錄片式的拍攝手法,深刻描繪出年輕人的情感生活——自由的幻覺與孤獨的恐懼,並展示他們日常生活的痕跡。

Copenhagen in autumn; The cold and often grey weather presides over this magnificent northern city. The atmosphere is both festive and melancholic. A group of Danish film students and their French Canadian professor are involved in a series of romantic dramas where learning applies as much to life as it does to the art that seeks to imitate it. This is a film of what is left of our first loves, those who have passed through our lives and left a trace, those who have marked our sentimental past, and those who we could not hold on to. Even though we end up going on, still everything, everyone leaves a trace.

2019-08-28 (三) 19:00 Ambassador國賓影城 1廳 ★ 影人出席

導演
菲利浦・勒薩吉 Philippe LESAGE
導演介紹

菲利浦.勒薩吉,1973年出生於加拿大魁北克,完成蒙特婁麥基爾大學文學與丹麥歐洲電影學院電影的學士學位後,以記錄社會學家阿蘭.圖賴訥為主題,並與其著作同名的紀錄片《Can We Live Together?》(2006)展開他的執導生涯。將紀錄片手法體現於劇情片,勒薩吉擅長運用鏡頭的流動呈現人物的眼神、表情與神態,捕捉瑣碎的對話,如詩的敍事與混融其中的音樂,留予觀眾大量自我解讀的空間,輕靈地振出青春與生命本是多磨的共鳴。

Philippe Lesage (born in 1973) is a Canadian director and screenwriter from Québec, Canada. He studied at McGill University and the European Film College in Denmark and began his career as a documentary filmmaker. He directed his first feature film in 2006, “Can We Live Together?”, a documentary about the sociologist Alain Touraine and the Parisian suburb crisis. From 2008 to 2009, he returned to the European Film College to teach documentary. By embodying the documentary concept in drama, Lesage specializes in representing the expressions of the characters with the flow of the lens, and captures trivial dialogues in order to bring out poetic narratives along side a beautiful touch of music. He leaves a lot of space for the audience’s own self-interpretation and lightly resonates themes of youth and life.

2010 蒙特婁紀錄片影展評審團獎最佳加拿大電影、加拿大魁北克最佳新人 Grand Prize for Best Canadian Feature, Best New Talent From Quebec/ Canada, RIDM
2012 魁北克電影獎最佳紀錄片 Best Documentary, Jutras Awards
2016 多倫多影展加拿大十大電影 Canada's Top Ten, Toronto IFF
2016 鐵達尼影展衝浪人獎 Breaking Waves Award, Titanic IFF
2016 舊金山影展金門獎、最佳新導演 Golden Gate Award, New Director, San Francisco IFF
2016 哥本哈根影展 CPH PIX FF
2017 哥特堡影展 Göteborg FF
2017 布宜諾斯艾利斯獨立影展 Buenos Aires FICI

導演的話

初次愛戀所留給我們的,那些在自己生命中經過並留下痕跡,不論我們希望與否,那些人都會在我們的情感過過往留下印記;那些我們因自尊心、誤會、恐懼或各自忙碌的生活而沒能挽留下來的過客。我們終究會繼續前進,但所有人,所有事物都會留下痕跡。

我最早拍攝的幾部電影都是紀錄片,對現實生活進行沉思,將自身抹去,讓角色們使得自由並活躍起來。一個全新、充滿驚喜的世界在我面前展開。在日常生活的平庸之下,存在著無數小故事;真實、豐富、切中要害,以自身的存在直面社會大眾。電影有著透過揭露真實人生來刺激人們對自己的人生,以及對周遭事物進行省視的力量。這部電影是我第一次進入虛構的劇情世界裡飾演片中其中角色,並仍延續著我過往作品的創作方式。

What is left of our first loves, those who have passed through our lives and left a trace, whether we wanted or not, those who have marked our sentimental past. Those who we could not hold on to, either because of pride, misunderstandings, fear or just our hectic lives. We end up going on, but still everything, everyone leaves a trace.

My first films where documentaries, contemplating real life, erasing myself so the personas would be free to come alive. A whole new and surprising universe unfolded in front of me. Underneath the day to day banalities of life, exist an infinity of little stories, shockingly real, rich and pertinent, confronting the public to its own existence. Revealing life as is, cinema has the power to provoke on to its public a reflection of their own life and their surroundings. I made my first incursion in the fictional world in continuity with my past work.

【電影預告】

 

【電影劇照】

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