未來當下：未來世
七五計劃
Plan 75
導演
早川千繪 HAYAKAWA Chie
資訊
日本 Japan | 2022 | DCP | Color | 105min
放映場次
影片介紹
2022坎城影展金攝影機獎特別提及
在不遠的未來，日本人口高齡化問題日益加劇。政府因此制定了一項「七五計劃」，鼓勵七十五歲以上老年人自願接受安樂死。負責執行計劃的單位將為每位參加者提供一條龍服務，從心理建設、身後準備到財務規劃一應俱全。於是一個頓失工作的老婦人、執行招募任務的公務員與來自菲律賓的女移工，因這項人口減量新措施而相遇，並各自在生死抉擇之間做出了重大決定。
當少子化、高齡化已成必然趨勢，生產力高低成為評斷人命價值的依據，這樣的未來是否值得期待？受到一起身障者福利院殺害事件的觸動，導演早川千繪首部長片即一針刺穿日本社會不願面對的現實，提出沉重而無奈的詰問，一舉入選坎城影展一種注目單元。日本國民影后倍賞千惠子細膩詮釋徘徊在人生隘口的暮年婦人，寄予對生命的真摯同情。
In the near future of Japan, the government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.
導演
早川千繪
HAYAKAWA Chie
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導演介紹
生於東京，畢業於紐約視覺藝術學院，主修平面攝影。2014年以短片《尼亞加拉》入選坎城影展基石單元，2018年短片作品《七五計劃》成為《十年日本》首篇而受到矚目，2022年進一步發展為長篇作品即在坎城影展獲獎。 Born in Tokyo and studied photography at School of Visual Arts in New York City. Her short films Identify This Girl (2000) and Photography of Zero (2003) were included in the exhibition at SVA Gallery in NY. What You Are Holding is Not an Apple (2000) and Vajra/Vajra (2001) were selected in the International Festival of Cinema and Technology for two consecutive years and shown in Los Angeles, London, and Toronto.
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